Year review of 2020

Strangest year ever

flying buttresses with the ApostlesYear review of 2020? Well that was quite the year I guess! The strangest year that I've experienced until now out of the almost 58, but certainly not a bad year. There were many challenges and throughout everything I've grown personally. We sculptors have probably had it much easier than most other people. We enjoyed working outside, have been sitting in the lovely sun, had plenty of space and because we do our own thing, we have actually not noticed much of the measures, except when we had to do some shopping or wanted to go to a museum.

Production

The old flying buttress statue The Hope made of tuff stone

The old sculpture of Spes, Hope

So what do you do when all the nicer things disappear one by one? Work work work. That was one of the most striking things this year. We've had whole wagonloads of stone go through our hands, and there were lots of nice carving jobs among them. As in previous years, we have been working on St. Eusebius's Church, and we've now arrived at flying buttress statue no. 80 at the moment. We only have another 3 to go, because the last 13 sculptures will not be replaced. There will a new work of art instead. I believe that we will also have to do a little bit of work for that. On my blog you can read about the flying buttress statues that I carved myself last year: the Flute Player, Apostle St. Andrew, the Accordionist, St. James the Lesser, St. James the Greater, Temperantia and Caritas from the arc of the Seven Virtues, and a Goat nibbling on a crocket. I also carved a copy of the statue Spes, Hope, but we were so busy that I forgot to take pictures of it!

face of JamesI did report about our work in an article with a video tour (as a studio visit could not take place due to corona) and in an overview of the last three flying buttresses that were completed: the Seven Sins, the Musicians and Six Apostles. Sometime in October I started working on a double-headed eagle for arch no. 17/18. You can recognize it in the background of some photos, but that project is temporarily halted because other things demanded priority. Likewise, Stide will be carving a lady with a cross (Fides of the Seven Virtues) and Jelle still needs to carve a man with a watering can who's watering a crocket, from arch no. 20.

-click on a photo for the corresponding article-

flying buttress figurine of Flutist 1

Flute Player

side view Saint Andrew

St. Andrew

new flying buttress figurine accordionist

Accordionist

copy of flying buttress statue of James the Lesser in Muschelkalk limestone

James the Lesser

copy of sculpture of Apostle James the Greater

James the Greater

flying buttress statue Temperantia for the Eusebiuskerk in Arnhem

Temperantia

Caritas

Flying buttress figurine Goat nibbling on a crocket completed 1

Goat

three flying buttresses

Farewells

Sculptors Jan and Koen van Velzen rowingIt was an uncomfortable year in another sense too: there were departures. My father and my brother-in-law both died of cancer, but both of them had lived towards the end in such a grand way that we could all find peace with their departure. Especially in my father's case, there was nothing but gratitude. Normally I would go to India again in November, but I haven't had much vacation this year. My beloved Swami Gopala Krishna also left his body this year and even if we could have gone to South India, then everything would have been different anyway.

In August I posted an article about my father's life that I actually wrote in the week of his death, but at the time I didn't have any pictures yet. I discovered that I could have written five more articles about his life, but this blog is not the right place for that. There will be an article about what I learned from him as a sculptor. On 31 October I I installed his sculpture "Surrender’ in the cemetery where he is buried, in Onderdijk.

I am currently working on making his tombstone in dolomite; it will be a lotus flower in relief and some waves. I first had an elaborate design with a graceful lady, but the family opted for a simpler design, and that will work out very nice as well. I hope to get it all installed before 19 January. But it Annual Review 2020doesn't all go as fast as 30 years ago anymore and I noticed that I also need my time to rest physically after a week of hard work. I had made the part with the waves quite deep at first, but it turned out too restless. After I had made everything 8 cm thinner it looked more like the way I had imagined it. At the moment I'm carving the Lotus flower.

Annual Review 2020

Pope and lantern

A number of projects always overlap the year's end, and this year those were Pope Leo and the granite Japanese Lantern for Clingendaal. There are three articles about the Pope Leo statue on this blog: the outline sawing, the first rough carving work and its completion. This statue of Pope Leo the Great is a copy that I carved in Udelfanger sandstone, for St. John's Cathedral in Den Bosch. I was asked to assemble this new sculpture out of two separate parts, which was quite a difficult job, but in the end I managed just fine. It's actually great when a tough challenge succeeds so well. Because this went so well, my colleague Serge asked me if I could repeat this trick for him on a similar one, an angel for the same cathedral. Only this one wasn't so easy: the first block had a big crack. As a result, I have been able to gain a lot of experience in assembling blocks of Udelfanger sandstone.

The lantern for Clingendael park at Wassenaar I carved out of granite, and in terribly wet weather I installed it in the mud in the park. Nevertheless, it is now completely embedded in the beautiful park, hopefully to be admired again next year.

Griffin

In the summer we finally had a bit of a quieter time. Time to move on with the large mirrored griffins. I put the foam model aside and Jelle and I worked together to make clay models of the shield and the body of the griffins. We then encased it in plaster casts and cast it in plaster again. Next will be the carving in Obernkirchener sandstone, for which the large blocks have already arrived. It was quite a large and difficult project, from which we learned a lot.

Read more in the extensive report on this project↑.

frame for griffin

griffin shield in clay 3

modeling of the shield

blocks of sandstone for a mirrored griffin blocks of sandstone for a mirrored griffin

A green lady

Annual Review 2020 seated woman dolomite

One of the commisions that I haven't published on this blog before, is that last summer for another sculptor I carved a sculpture in Anröchter Grünstein (dolomite) out of a large block of stone. Below is a video of splitting the block, that I could almost reach through with my chainsaw. In the picture, the whole sculpture still needed to be polished to a shine.

Ornamental work for the Latin School

ornaments in Baumberger stone for the Latin School in NijmegenAn accident never comes alone, but so it is with workload as well, it seems. Just at the point that I got the feeling that it was becoming an awful lot of work all at once, the urgent project for the Latin School in Nijmegen came in between. But we made it, and in time! All of it was blocks of Baumberger stone with ornaments on three sides, in the style of the Dutch renaissance.

Finials and side crockets, for the Utrecht Dom Tower

detailing new finials for Utrecht's Dom TowerThis year we also got a lot of ornament work done for the Dom Tower. Big, bigger, biggest was the motto. A very large finial of 80 cm wide kept Jelle and me each busy for over three weeks, and then pallets full of large crockets and tailpieces were dropped off, for the upper eaves of the stair tower, at about 90 to 100 meters up.

Annual Review 2020 large crocket for Dom Tower in portland stoneThere are a total of seven of these window frames, each with about ten of these large crockets, so no worries about enough work for the time being. And that's only a small part of the ornamental work on the Dom Tower in Utrecht. An article about this project will follow.

St. Lambert's Church, Veghel

year review 2020 St. PaulThere is one project that I haven't actually shared so far, but that I've already done a lot of work for in the past year. Two neo-Gothic façade claddings will be reconstructed next year at the Lambertus Church in Veghel. Among other things, there will be ten reliefs with scenes from the life of Jesus, two statues of saints and all kinds of ornaments, capitals and pinnacles on it. Jelle and I have already modeled a number of maquettes and carved several capitals for this, made test pieces and I have been staring for hours at vague old photos to see what it might have looked like. For St. Paul I already made a small model in plastiline, that I am going to enlarge in foam. The stone has already been sitting in the yard for a while. Jelle and I are going to do this together, and Jelle will take on St. Peter. There will certainly be a new blog article about this next year.

Small tasks

polishing the lingam

the sanding and 'sweetening’ of the lingam

Fortunately, there was still time for all kinds of small work in between, this year. And so I've been singing Shivabhajans while carving a Shivalingam in black Swedish granite, I've carved two small family crests in a granite headstone, I was asked to repair the Little Drummer with a new drumstick at St. John's Cathedral and I carved a pine cone for an eighteenth-century garden vase and was able to find a few more spare hours to continue working on my red porphyry statue of Pan with the pan flute. I also did a small part of the work on the ornaments of the South Portal of St. Eusebius's Church, but because of the work load, colleague Serge took the lion's share of that part. Finally, in Badhoevedorp, Jelle and I have been working on the repair and reinstalment of the figurines of the Four Seasons.

-click on a photo for the corresponding article-

fine sanding the Shivalingam

coats of arms in black granite completed

Granite coats of arms

repairing the drumstick of the Little Drummer Boy on the flying buttresses of St. John's Cathedral in Den Bosch

Flying buttress figurine Saint John

restoration garden vase lid

Pine cone for a garden vase

Annual Review 2020 garden statue Pan with pan flute- WIP

Pan

ornaments south portal Eusebius Church, in Baumberger stone

South Portal

figurine Spring Four Seasons reinstalled

Spring

Four fishes (dolphins) for a hotel

Then there were the four fish propped up for a façade of a hotel in Amsterdam, that were seriously damaged in a fire. These kinds of ornaments are usually called dolphins originally, although today we have a different perception about these creatures. These fish usually sit mouth down and tail up, sometimes spewing water from their mouths.

 

I am now carving a copy of this in new sandstone; an very elaborate piece of high quality. This is quite a difficult thing for me too, which needs to be exactly similar because its brother is just a few meters away. By coping it point by point I'll gradually arrive at an accurate copy. The chisel traces are still clearly visible on the original, so I'll have to emulate that in the copy. I'll write a full article on this project later on as well.

Expansion

It all got a bit tight under the shelter with all the half-finished projects and the sawing machine and pallets with finished work. So there is a big change going on: the roof, that I installed in 2017 together with my son Joram, gets an extension of 4 metres, and the concrete slabs on which it will sit have already been installed too. The old concrete floor was so uneven that it was almost impossible to drive on with a pallet jack. The new truss is already made, now the waiting is for the roof plates and the extension of the hoistway.

Stelcon slabs have been laid

Heavier equipment

air hammer FK 702.5I also bought a new compressor this year, with an air dryer, because in wet and cold weather it was getting harder to work with air tools and whenever it was freezing, the air hammers and pressure regulators would immediately freeze up. And a nice heavy new air hammer, with a little more kabam in it. I am all set for the new year. Bring it on!

(This annual report only tells you what I myself have been up to this year. But I've cooperated a lot with Jelle Steendam, Stide Vos and Serge van Druten, with whom I share the larger projects. I work a lot with Jelle in particular; he has found a permanent place under the shelter. So have a look at his website!as well ↑)

Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

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and on YouTube↑

Year review of 2019

250th blog post

2019 was a great year! I've had all sorts of things in progress, among which a lot of ornaments for the Utrecht Cathedral and the Eusebius Church in Arnhem. Time for an annual review of 2019.

Blue sodalite

woman in blue stone Not everything I've done this year has been published on my blog. For instance, I carved a few things for other sculptors. One was a large sculpture in blue sodalite, of a stylized lady. I copy-sawed the plaster maquette into the new stone and then carved and polished it. This material is difficult to work in, but it has an overwhelming color. I'm sure once installed in the right place, it will make a big impression. Through all those vivid colors it becomes hard to see its shapes in my photo, but upright and under good lighting conditions (not under my roof with subdued light) it will be easier to recognize the shapes. Since it was made for another sculptor, I made no mention on this blog at the time. I did though in a blog post show how I cut the block to size with a chainsaw.

Holocaust Monument

The painting in of the details in the crack

One of those projects for another sculptor was a small job that I did last week for Gerard Overeem in granite: the carving of a crack in a Monument to the Holocaust. The crack represents the suffering caused by the persecution of the Jews that has left its traces. Read here↑ the corresponding newspaper article. In an earlier newspaper article more information about the monument. It is to be unveiled on 27 January 2020 in Barneveld.

Thomas Aquinas

copy of statue of Thomas Aquinas beside reconstructed original

The copy of the statue of Thomas Aquinas was a project that almost took this entire year. In November 2018 I received the original sculpture in my yard and started with its reconstruction, in March 2019 I cut the block of Udelfanger sandstone to size and I started presawing. I also started enthusiastically on the rough carving of the two parts and fitting the pieces exactly together, but suddenly all kinds of commissions came and interfered before in October 2019 finally I was able to finish the statue.

Pope Leo the Great

presawing the upper body of Pope Leo in sandstone presawing the lower body of Pope Leo in sandstoneAfter I had shipped this statue, I could skip ahead to the next statue for St. John's Cathedral in 's-Hertogenbosch: Pope Leo the Great. At the time of writing this, the work on this statue is halted as well because of a trip to India, the above holocaust memorial and a commission for carving a Japanese Lantern. But I was able to presaw the two parts of the statue entirely, so I can expeditiously start carving them in the new year. This statue also stands on the north side of St John's Cathedral in Den Bosch, The Netherlands, that is, to the left from the statue of Thomas I mentioned above.

A Japanese lantern

Copying  of granite Japanese lanternIt may seem that I took a long time carving these two statues, but that's nothing compared to the last piece I worked on this year. For the Japanese Garden of Clingendael Estate in The Hague I made a quote in May 2017 already, and only now I get to carve it. I was asked to carve a reconstructed copy of a weathered Japanese lantern out of Bavarian granite. I'm already well on the way, but I still need to carve a lobed base and then sort out the details with the client. A blog post will follow soon!

A marble birdbath

a marble birdbath in the shape of a duck. Annual Review 2019Sometimes you get out-of-the-ordinary commissions. A client had modeled a bird bath in the shape of a duck as a boy and now he wanted it in his garden in marble. Of course that's possible. Unfortunately his clay model had disappeared, so I first had to reconstruct it. Alongside is a picture from halfway through the carving process.

Pan in porphyry… again?

Pan in porphyry: carved the legsAt the end of October I was able to find two days for working on my sculpture of Pan in Red Porphyry. As you can read in my last post about it I had just started with rough carving when I had to put it aside. That was almost two years ago (March 2018).

But I had to put the sculpture aside again quickly this time as well because I had to take on other projects first, such as Pope Leo. Yet I was able to roughly carve the hooves, the face, the hands and the flute. I hope I can find more time in the coming year and be able to finish the sculpture.

A small head for the Eusebius Church in Arnhem

a simple head in Udelfanger sandstone for Eusebiuskerk. Annual Review 2019The Eusebius Church contains various sculptural parts. The quality varies from very finely carved to fairly primitive, and dates from the construction time to present day. Somewhere in a side transept of the church, at the very top, a little man's head ↑ was missing out of a row of 9 rather primitively carved heads. Three of those were from the construction period of the church, and three of them dated from the 1960s. I was asked to carve a new head for the empty spot. It only had to look just as primitive as the others. That proved to be quite tricky! Someone told me that you'd best ask for a mason or a beginner to carve it, they might hit upon the right atmosphere. So I just made it into a little man with a page haircut.

More for St. Eusebius's church: Two huge finials

finial blocks for Eusebius Church ready for shippingBy far the majority of the work of this year was spent on carving ornamental work for two large finials and surrounding ornamental work on the northern transept of the Eusebius Church. Stide, Jelle, and I, partly with support by Serge, had months of work to carve all that.

We carved ornaments in two types of red sandstone for this north aisle, in Udelfanger sandstone and in Massangis limestone. It was so much work that I was in for a joke at the end.

Carving ornaments for the Utrecht Dom Cathedral twice

Large crockets in  weiberner tufa for the Utrecht Cathedral

completed crocets in Volvic basaltic lava, wet by rain

But Eusebius Church was not the only church which we made ornaments for. Having ended the previous year with 29 tufa side crockets for the south chapel of the Dom Cathedral in Utrecht, we got more big crockets this summer, in Volvic Basaltlava this time. These twenty large crockets we have been sharing between the four of us (Serge, Stide, Jelle and I) and despite delays we were able to complete them just in time.

Carving ornaments on the Utrecht Dom tower

test crockets for Dom tower UtrechtAdmittedly, it was but a small pilot project, and the main work on the Utrecht Dom Tower has yet to arrive. But at a time when the scaffolding around the tower was still not up, Jelle and I scrambled up all 465 steps of the Dom Tower with all our tools on two days, and carved a few test ornaments at the very top, so that the approach of the next part can be determined. Fortunately it was beautiful weather and we had a magnificent view.

Coat of arms in Udelfanger sandstone

small coat of arms in Udelfanger sandstone completedFor the front façade of a farm in the east of the country I made this small relief with a family crest in October, in Udelfanger sandstone. In order to keep it lively, I chose a baroque shield shape, so it really stands out on the façade.

 

Coat of arms in bluestone

bluestone coat of arms with two falcons. Coat of Arms, coat of arms, relief with crest/coat of arms, family crestsThe coat of arms that I finished later in that same month of October was much larger: 41 x 66 cms. It will be inserted in a restored parsonage, on the outside, somewhere in Belgium. I had a lot of fun shaping the flowing undulations of the mantling and the tiny details of the helmet.

Sculpture of The Night

Sculpture The Night by Eduard Kuilsburg- new copy in Muschelkalk limestoneBut it was not all ornamental carving work, I also had some sculptures in progress. For the west facade of the tower of St. Eusebius's Church I carved the large corbel with the sculpture of The Night out of limestone: a naked lady with a nest of owls beside her. To accelerate the process, I cut it and its counterpart, The Day, on my presawing machine machine. It only just fitted: I had to cut away some corners, otherwise this lady couldn't even turn around inside the machine.

Flying Buttress Figurines: Seven Sins

Carving a copy of flying buttresses figurine RageIt was made in last year and the year before especially with carving flying buttress figurines. That was a bit less this year, because the ornaments demanded all of our attention. We only had one flying buttress to go, with the Seven Sins depicted on it. Jelle made the Vanity, the Gluttony and the Greed, Stide got Envy and Lust, and I made the last two.

The Anger was a flying buttress statue of a man with a contorted face pulling a knife. He looked rather primitive, in his bearskin. As the only man among all the women, he actually had not much to complain, but he was clearly not happy with it.

flying buttress figurine Laziness completedThe Idleness on the other hand, ie the Sloth, didn't mind so much. She sat back a little, caressing her workhorse, in her provocative dress, and seemed more concerned with her own laziness.

A boulder with house numbers

boulder with house number- finishedFor a building in Amersfoort I carved a large boulder of red granite into a house number. Maybe I will be gilding the numerals one day for clarity.

A tree with rocks

For the same building I helped making a work of art for its residents: for each resident I made a stainless steel tree leaf with their own rock on it, which were all made into one big tree. It was a lot of work to cut everything out, bending the leaves, welding and glueing them, especially since I'm not equipped too well for metalworking. It was a lot of fun to make. Painter Sandra Nanning turned the staircase into a three-story encompassing tree.

A spoonbill from Haarlem

clay maquette and stone spoonbillNot all sculpture to be replaced has suffered from weathering. Sometimes sculpture disappears because of renovations and later on, residents want it back again on their building, and sometimes something is stolen. Such was the case with a buddha's head, a pelican and a spoonbill in Haarlem. Fortunately, the pelican was found again. I made a copy of the spoonbill after first reconstructing it, and Jelle accounted for the buddha head.

A lot of work for my colleagues

Presawn Angel for St. John's Cathedral in Den BoschAs you might have understood, I work regularly with my colleagues Serge van Druten, Stide Vos and Jelle Steendam. They, like me, all three have their own independent businesses. Only Jelle works in my shop; Stide has his own workshop next to me and Serge 20 kilometers away. I like having my colleagues around and being able to share larger contracts.

But I am the only one with his own presawing machine. That means that I regularly get the request to presaw something for the others too. Jelle also can properly handle the machine, so he'll be sawing for me sometimes and mainly for himself. But Jelle and I have also often enough presawn sculptures for Stide and Serge. I also usually keep track of the big picture, the tenders and the distribution of all joint projects, such as Eusebius Church and the Utrecht Cathedral.

repairing a broken vase. Year review of 2019Jelle mainly operates under my supervision, but he also takes on his own work (have a look at his website). So I regularly pass on things to him that are too much for me to take on. Sometimes he would take a little longer than I would do, That's because I do this work, of course, for a longer time. Unfortunately we have no specific training for restoration sculpture in Netherlands, so the work itself is his training. This year for example Jelle restored some garden ornaments.

New year: musicians and apostles

weathered figurines of the musicians in storageWhat's coming up next year? The most important work coming up is all of the ornamental work that we are going to get from the restoration of the Dom Tower in Utrecht. Balustrade finials, gargoyles and various other ornaments.

Next, we will be getting work from flying buttress no. 14 and 16 of St. Eusebius's Church in Arnhem. Flying buttress no. 14 consists of a group of 7 musicians and no. 16 contains a number of apostles. These are the last sculptures that sculptor Eduard van Kuilenburg made for the church, and in these we can see a transition to a somewhat more angular style. There were at the time of completion (around 1956) already alarmed questions from the church council about the "overcrowded flying buttresses’ that this led to, even though the block size was no larger than that of the previously created sculpture groups around the choir. Especially the apostles have massive fists and lumpy heads. We're looking forward to copying them into new stone (if you want to know why these figuries are replaced: read this article about the Ettringer tuff ↑ of which they were made).

Boxes full of debris and more sculpture to go

crates with flying buttress figurines that are yet to be copied.So that adds up to fourteen sculptures for flying buttresses nos. 14 and 16, for which we expect to get the new stone blocks in early January. We have been reserving a spot for those. But there are still 12 boxes more in our storage and a group of loose sculptures outside in the yard, which will all have to be copied one day.

Some of these other sculptures are heavily weathered because they started to shatter after the impregnation process and fell to pieces, and they're lying as a layer of debris at the bottom of the boxes. It will still be an interesting project to reconstruct them. If that happens at all, because people are currently considering an alternative way to fill the empty spaces. We sent in our estimate already anyway :).

All other blog posts from the past year

I wish you all a very good, educational and creative New Year. Thank you all for following this blog!

Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

Follow me on Instagram↑
and Twitter↑
and on YouTube↑

Year review of 2018

Year review of 2018

It seemed nice to sum up this year of sculpting in some words and pictures. Not in chronological order, because my work sometimes jumps from one thing to another, for often suddenly urgent commissions come in between. I like it that way too, I love things being a bit unpredictable! But only when there's not too much pressure on things.

Finishing flying buttresses 4, 5, 6 and 7

Gallery -click on a photo to see it larger-

Last year I spent a long time making flying buttress figurines for the north side of St. Eusebius's Church in Arnhem. Early January that job was nearly done; I only had to make a Monk, a Bear, a man calling Noah, a Monkey and Ark with animals out of limestone. It was the last series of the four flying buttresses themed around Noah's Ark.

Calamities and Repairs

Amid heavy snowfall and storms, work went on as usual. I accounted for a severe frost period and just continued sawing. A part of the barn didn't feel the same way about it, and collapsed under the weight of a thick layer of wet snow. A few weeks later I narrowly escaped from a disaster, when in a torrential storm a sheet of asbestos was blown from the roof and landed right next to my finished flying buttress sculptures.

Part of my repair work consists of patching up damaged statues. For instance I had to repair a Faun with a Pan Flute and a statue of Thomas Aquinas in my shop this year.

Injury and recovery

Something I've not reported on this blog is that I've been incapacitated for quite some time by injuries earlier this year. I hear you think it would surely have come about because of my job. I do have quite the productivity and it is rather physical work. And at times there can be some pressure to finish it all in time. But it wasn't anything like that. First it was an accident when I cut open my thumb deep on a party tent that threatened to blow away. Just three stitches and two weeks later I was back at work again.

But it was not long before I was back home for some weeks. This time I had overstrained both my arms during removals (at temperatures around minus eight degrees Celsius). At least I now know how to recover from two tennis elbow quickly: not with all kinds of therapies, but by massaging the muscles in your forearm deeply for several times a day. This way, you'll relieve the tension from of the muscle and it will no longer pull so hard on your funny bone, let's put it this way. Learned on YouTube and experimentally tested myself.

Own work: Pan in porphyry

block of porphyry for plaster image of Pan

plaster sculpture of Pan with block of porphyry

After all these flying buttress figurines, I started enthusiastically on my own project: a Pan in porphyry. I had presawn it machine and had just begun carving it, but in spite of all the good intentions, I had to put it aside because of other urent projects.

Ornamental works: Aachen, Utrecht, Den Bosch

For all kinds of ornaments had arrived in the yard, which were to be made first. So this year I made finials and crockets for Aachen Cathedral, for the Cathedral of Utrecht, again for the Utrecht Dom, and for St John's Cathedral in Den Bosch, The Netherlands. Some of them in collaboration with my colleagues. There was stonemasonry work to do. There is newspaper article was written about it and a video was made.

Family Crests and griffins

Then there were two sandstone family crests which I made in between other stuff, one with an edge and one without edge, and I have been modelling away on a set of mirrored griffins. I hope to finish them next year.

Jelle, Jeffrey and Roel

Annual Review 2018

Wise Virgin with a Dove, copied by Jelle

With so much work it was not surprising that I could not keep up with it all by myself. Hence my collaboration with my colleagues and Serge and Stide. Even then, we were not able to finish it all in time. Also, I had long thought about someone to pass the craft on to, someone who wanted to become a restoration sculptor. But how do you get someone who fits the bill? Fortunately Jelle came to visit. Exactly at the right time. He has now been working with me for more than six months, to the satisfaction of both of us and doing excellent work!

Annual Review 2018

Jeffrey helps presawing

Then this summer I've had help from Jeffrey a few times, who came to help out with presawing on the machine, while at the same time my nephew Roel came by to begin to learn carving letters in stone.

Annual Review 2018

Roel learning to carve letters

 

More flying buttress figurines

After the first set of 26 flying buttress figurines from the north side of the Eusebius Church, we now had to make the 27 from the Southside. But fortunately from flying buttress no. 32 I had already made seven angels when he, plus a girl from buttress no. 36, and Stide had done one as well. Still we've been quite busy with the other 18, and we've not yet finished. Fortunately Jelle has now made a number of them as well. Anyway, on this blog you can read about Blind Man, Woman with Clubfoot, Wise Maiden with Cross, Foolish Maiden with Oil Can and Supreme Commander In Chief.

Corbels for the Tower

Since in March 2019 the Eusebius Church tower is scheduled to be completed, those sculptures had absolute priority. I've presawn some of the corbels and carved a set of them for the North- and south side of the tower, such as a Woman with Tulips, a Man with Bird, a Man with Ears of Corn, a Woman with two Doves, a Cat with Wings and Bird beast. Sawing work was mostly done on the corbels from the west side of the tower (12 heads and 5 large corbels), but those were all carved by Stide. Time to once again visit to the scaffolds more to go…

-Read here the annual overview 2019 ↑-

Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

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