A bluestone coat of arms with two falcons

Bluestone stone coat of arms

I merrily went on to the next commission, another stone coat of arms this time. The previous one was a smaller relief with only the shield. That required a little more attention to the shape of the shield, to make the design a bit more interesting. But this coat of arms is quite extensive in itself because of the helmet, the mantling and the crest. I prefer deeply carved coats of arms, and this is no exception: the total depth of the relief is eight centimeters.

The customer lives in Belgium and has renovated a house that already had a plaque of Belgian bluestone in its façade. Hence, this plaque will have the same size, 41 x 66 cms. It's obviously a fairly elongated size, whereas the actual coat of arms occupies a more or less square space. So this leaves some space for a Latin text underneath the emblem. I'll get to carve that next week.

The rough shape

family crest transferring the drawing on bluestoneI first started with transferring the drawing onto the stone. I never fuss about that: I just stick the print onto the stone and carve the lines into the stone, right through the paper. Hoopla.

From woodcarvers I learned to first jigsaw out the contours. That way, you'll have these parts defined already and you can continue to trust in them. Now doing that in stone, and certainly in Belgian bluestone or arduin as the Flemish say, is a bit harder to do, but it remains a good plan. Using the drill, I could define the shapes and also the depth of the background plane for a number of spots (quick and easy) in one go.

To keep margin for errors, or not?

bluestone coat of arms-drilling the contoursThe rough carving of a relief is quite a bit different than that of a freestanding sculpture. When carving a sculpture, it'll be useful to have some margins in case you'll make a mistake. That is, you'd make sure you don't make anything definitive yet during the rough carving phase, so for example you'll still be able to move the limbs a little in case it is not quite to your liking. In relief carving that would not be convenient. You'd keep searching over and over again where all these frills should go if you wouldn't set any hard borders. By carving the parts straight down at right angles to the background plane from the beginning, the exact location of each component remains defined right up to the end, even if you start shaping its height with a coarse tooth chisel. The margins that you always need as a sculptor lie in the depth in this case. For you could always encounter a bad piece of stone, or you could make a mistake. In relief carving, parts can often be placed a bit deeper without too much damage.

Assigning the volumes

bluestone family crest: defining the volumesI have previously written about it: the next step is determining the heights of the various parts. In this case the helmet will be the most protruding part. I wanted to keep the mantling at the left and right below the level of the helmet, the shield should be covered by the helmet and consequently end up lower as well, and the lowest point are the tips of the mantling and especially the crest.

I just make those decisions by eye. I picked up the grinder and quickly cut down the planes of the mantling to a lower level. Then I once again drew on the lines of the shield , took into account the depiction on the shield, and carved it into the right curve.

Luckily I had made just such a little helmet before, in dolomite stone, and that one was still on the wall. With that piece next to it, it was quite easy to shape the helmet.

Playing

family crest rough carvingOnce I had rough carved all of these parts to their proper height, the best part came. This is why I love carving coats of arms so much. I'm sorry for the customers, but I'm not really into heraldry all that much or coats of arms as such. To me, family sure is important, but I'm not so concerned with ancestors and descendants. Other than gratitude for what they have given and for what beautiful things they'll be going to bring after I'm gone, it actually doesn't go any deeper for me.

bluestone coat of arms detailingBut the cárving of these crest reliefs is what I love to do! And that is because of all the lines and movement in the design. The clear shapes of the helmet and shield, in contrast to the elegant curves of the mantling… for me it's a each time again a play with lines and volumes. That's why I never make a maquette of these things. I just start, and let the lines lead me to the shape. It should of course end up looking somewhat symmetrical, so I usually first carve one side and then do the same thing mirrored on the other side.

Halfway through: finishing

bluestone family crest: halfway carving process

Once all the shapes are just about right, the detailing and finishing of the stone coat of arms starts. That is usually what takes the most time. I tapered the shield a little bit to make it all a bit more playful, and also gave it a good bulge, in order to give it some tension. But everything needs to be crisp in the end, otherwise it will end up as a complete mess and not easy to read. So next week I'll still be working a long time making it all crisp and sharp, and with carving the letters. And the edge still needs to be carved straight. More on this later.

family crest stone halfway  carving process
-below is a time lapse in slides. Click on a photo for the gallery-
Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

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Small coat-of-arms in Udelfanger sandstone

Small coat-of-arms in a baroque shape

For a customer I made a small coat-of-arms in Udelfanger sandstone. Since this time no mantling and helmet were added, I chose a somewhat more baroque shield shape to make it a lively relief. I also tried to give the shield a nice bulge, to create an interesting shape with curled edges as if it were a scroll.

Finishing

Because of the small size of the crest stone, it took a lot of care to get all the details clear cut. It is designed to stand out by strong shadows. This small stone crest will end up in the top of a facade, so the shadows will be important in order to recognize the picture. To enhance the contrast I therefore 'pointed' the background of the coat of arms, ie I've beaten small pits with hammer and point chisel in the background. The rough surface makes the smooth shield stand out well.

Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

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Finally another update!

Storm before the silence

After my last post on this blog, it has remained silent for far too long here. But not because I haven't done anything! On the contrary, it's been way too busy to report it all.

Gallery -click on a photo to see it larger-

So I've been working on the carving of another coat-of-arms in Bentheimer sandstone. The design was almost the same as the previous one, but this one would would be suspended from a wall. Therefore, it was carried out lighter, without an edge to the relief and with a thinner base of 3 cms thick.

Flying Buttress Figurines

Then I went back to work on …Read the whole article…

Two griffins with a large shield

griffins with shield castle entrance plastiline maquetteThe next project has taken a very long time to get properly going. More than a year ago I received this request, and only now there is the peace and time to address this well. It is not a simple little project for doing between other things. …Read the whole article…

Video: a coat of arms with deep relief

Finally, the video of the family crest with deep relief that I carved last winter into sandstone is now online.

Find it below! Read about this project here: A sandstone coat of arms with deep relief.

Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

A sandstone coat of arms with deep relief

sandstone coat of arms by sculptor Koen van Velzen

Stone crest

A Bentheimer sandstone coat of arms. Dimensions of the relief 40 x 50 x 18 cms, of which the relief part is carved 10 cms deep. Clearly can be seen that this stone is a natural product, as evidenced by the light brown traces of an iron deposit. This does otherwise not harm the preservation of the stone. This coats of arms relief stone is placed on the inside of a solid garden wall with cappings. …Read the whole article…

Video of a coat-of-arms in sandstone


Of the coat-of-arms I recently carved in sandstone, I also took a number of video recordings. Read here↑ more about this project, and below a few links to a number of previous coats of arms: …Read the whole article…

A coat-of-arms in sandstone

A coat of arms stone with family crest in Bentheimer sandstone. The weapon contains three rings, a bar and a three-flowered thistle

For a client I carved a coat-of-arms from a piece of Bentheimer sandstone of 40 x 50 x 12 cms. The weapon contains three rings, a bar and a three-flowered thistle. In the picture, it seems as if the shield is slightly larger than the underlying stone, but that is a slight camera distortion; they both are exactly the same size. …Read the whole article…

Coat of arms in stone completed

family crest stone in stone completed, coat of arms carved in Belgian bluestone, arduin, petit granit-to the first post about this project-

These past few weeks I carved a family coat of arms in stone for a customer.
It was a top quality piece of stone, as I found out soon enough: I never encountered such a rock hard piece of Belgian blue stone (arduin) in my previous works. This piece therefore more than deserved its name of ‘petit granit‘ by right then. It tested my skills to the limit, I have to say, and also my chisels; frequently the tungsten carbide chisel chipped at its cutting edge. …Read the whole article…

A coat of arms in Belgian bluestone

coat of arms in bluestone: 1st step, carving the contours.

step 1: contours

coat of arms in bluestone: 2-precarving the helm

step 2: precarving helmet and shield

coat of arms in bluestone: 3-precarving mantling

Step 3: the identifying depths for the mantling

Besides all the work for the exhibition I've also been busy carving more ornaments on pinnacles for Cunera's tower in Rhenen, flying buttress figurines, the restoration of a war memorial, and a coat of arms in Belgian bluestone. …Read the whole article…