In the original statue, the layers were used vertically, but for the copy it's desired that the layers run through the statue horizontally. Since there are no blocks of Udelfanger sandstone available that are tall enough, it has to be made out of two pieces. Where would you put the seam? A first proposal was …Read the whole article… →
I've recently had many different projects in progress and have just not gotten round to post any messages about them on this blog. But, fortunately we still have the pictures, as the businessman said when he saw his million dollar yacht sinking. This project has been an interesting challenge in between all the ornamental work. The job on hand was about two facade reliefs of a spoonbill and buddha head from Haarlem.
The original stone ornaments came from the façade of the Lutheran Orphan's and Old Men's Home, which was built in 1906. After the demolition of this home, the stones were reused in the garden wall of the Vitae Vesper Elderly Nursing Home that in 2015 was demolished again itself. An apartment building was constructed on this site and the reliefs remained behind, discarded and orphaned. The Lutheran Church Administration wanted to …Read the whole article… →
One of the things I've always admired in the sculptures of my father is the spots he has chosen to put them. My dad is a sculptor from the village of Onderdijk, Jan van Velzen. With several of his sculptures he got the opportunity to personally pick their destined spot, something that is not always left to the artist. His first big sculpture was The Dijkwerker, a labourer building the Dutch dikes, …Read the whole article… →
However much I like to find my way through the stone while carving, it's not always the most convenient way of working, especially when working a large piece. The advantage of the direct carving method is that your thoughts about the shape are growing along with the shape itself, and that you might work a little more directly. …Read the whole article… →