copy of Thomas Aquinas completed

-Click on the pictures for more details-

the two parts of the sculpture are glued together

7. The parts are glued together

beginning with carving the head

8. starting to carve the face and bird

Thomas in two parts

After long interruptions (carving finials for St. Eusebius's Church and large crockets for the Utrecht Dom Cathedral this summer) the statue of Thomas Aquinas is finally finished. In my previous blog posts you can read who this man was and how I reconstructed the sculpture, and how I started the copying of the statue with a lot of sawing.

When I got started again,I had already anchored the two parts together with two thick stainless steel threaded rods of 20mm thick and about 50 or 60 cms long. That won't come off so easily. I made it so that the top part fits onto the lower part a bit like a bottle cap. But I still needed to connect the jointing plane with a restoration mortar, because carving this plane to fit 100% is unnecessarily difficult. I can't glue it entirely, because a horizontal glue layer is like asking for trouble. The water won't seep through the material and the stone above the line will rot and break by freezing. Of course I did attach the pins firmly with epoxy adhesive. With the mortar I grouted the seam in the same colour and now it's hard to tell the spot.

carving of the face and the bird on the copy of the statue of Thomas Aquinas

9. detailing bird and head

hoisting the statue of Thomas Aquinas

10. hoisting

Feathers and feet

This was followed by the wellknown steps of carving the details. With some measuring work and gradually detailing, a proper copy of the weathered sculpture emerged. I didn't use the pointing machine for this, because my presawing machine had already given me so much references that I could transfer the intermediate points much more easily with compasses and templates.

I had reconstructed the missing pieces with plastiline clay in the old statue. This clay will not harden and can easily be removed again later. The clay coloured remarkably well with the rest of the statue, so it did not interfere while copying.

The pigeon on Thomas’ s shoulder was carved with great detail, with tiny legs and feathers. This kind of thing is not really hard to make in this stone, it just requires a little more patience.

copy of statue of Thomas Aquinas put higher for the carving of the folds

11. carving of the lower half

finishing the lower side of the statue of Thomas Aquinas

12. carving the folds and finish sanding

At working height and easy to turn

I then placed the statue a level higher, in order to tackle its lower half. I always set them up close together and preferably on a turntable, so I can always put them in the best position and easily oversee everything.

I had these stands made so they fit on small pallets, so I can easily wheel them around with a pallet truck. They are stackable too, so I can build them up to a good height. But the stands are just for the larger statues; for smaller ones I'll use my yellow scissor tables. I can use the turntables on these as well.
In case that's still too low, I can add an extra platform to it.

sanding the habit of the sandstone sculpture

13. sanding the habit

copy of statue of Thomas Aquinas beside reconstructed original

14. statue finished; the original, here still with the clay repairs

Buffing and sanding

Once all the details were to my taste, the sanding started. With diamond files and abrasive stones, I sanded the entire statue. Later on it still didn't look good enough to me. I discovered that in this Udelfanger sandstone it works quite well if you finish it with sandpaper or emery cloth by hand. It gives a kind of velvety finish that suits the sculpture quite well, and all the scratches of the chisel and abrasive stones will quite easily disappear. However, it is again just another of those jobs that take a bit of patience. I've been sanding on his habit for days, and started to feel it in my fingertips.

copy and original side by side. Original now without clay

15. The finished copy and the original, here without clay

the original statue of Thomas Aquinas, damaged.

16. The original before repairs

Making history for posterity

At the rear of the original statue, there were all kinds of different chisel marks. I reproduced them in the copy. But to make things clear for future generations, I also carved in the following text:: copy 2019 k. van velzen

This should make it easier for future historians what happened to this statue in the present year. For I don't dare trust that this blog will survive the centuries. Perhaps not even the Internet will. It is said that one good solar eruption is enough to fry all of our electronics and even the electrical equipment and facilities. We'll see, but this way, Thomas will remain, at least a little, a guardian of history.

Gallery with a timelapse of carving the sculpture

-Click on a photo to view the larger image-

Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

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Small coat-of-arms in Udelfanger sandstone

Small coat-of-arms in a baroque shape

For a customer I made a small coat-of-arms in Udelfanger sandstone. Since this time no mantling and helmet were added, I chose a somewhat more baroque shield shape to make it a lively relief. I also tried to give the shield a nice bulge, to create an interesting shape with curled edges as if it were a scroll.

Finishing

Because of the small size of the crest stone, it took a lot of care to get all the details clear cut. It is designed to stand out by strong shadows. This small stone crest will end up in the top of a facade, so the shadows will be important in order to recognize the picture. To enhance the contrast I therefore 'pointed' the background of the coat of arms, ie I've beaten small pits with hammer and point chisel in the background. The rough surface makes the smooth shield stand out well.

Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

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and Twitter↑

and on YouTube↑

Finials for St. Eusebius's Church


We're currently carving parts of pinnacles by the cartload. They are all destined for St. Eusebius's Church in Arnhem (the Netherlands). Below are some pictures of work I've made this far. In the picture above you can see a number of blocks ready for transport: successively, an old tuffstone block, a block of red sandstone from my hand, one by Stide and one by Jelle, and finally …Read the whole article…

Thomas Aquinas, part 2: sawing

Thomas Aquinas, part 2: sawing. Two large sandstone blocks

1. Two large sandstone blocks of Udelfanger sandstone: 1 for the statue of Thomas Aquinas, 1 for Serge's angel

Two large blocks

The work on the on copy of the statue of Thomas Aquinas has finally started. I had received two large blocks of Udelfanger sandstone some time earlier: one destined to make two angels out of it and one block from which I had to carve the two parts of the statue of St. Thomas from St John's Cathedral in Den Bosch and fit them together. So the first step was to divide both blocks into two with the diamond chainsaw.

Thomas. Aquinas, part 2: sawing.  I halved the block with the diamond chainsaw

2. The block is cut in half with the chainsaw

Thomas Aquinas, part 2: sawing. Presawing the lower body

3. Sawing the lower body

Presawing Thomas

After that I put one block on my copying saw and started presawing Thomas' lower half. The dividing line of the two parts was meant to be near the line of his hood, so that …Read the whole article…

Ornaments for Utrecht's Domkerk and St John's Cathedral 2

Finial

As you may perhaps remember: I last year I carved ornaments a few times and even made some stonemasonry work for St. John's Cathedral in 's-Hertogenbosch.

The blog posts can be found under the following headings: Stonemasonry work and ornaments for St. John's Cathedral, Finally another update! and Ornamental work for the Utrecht Dom Church and St. John's.

I recently got a new batch of ornamental work in the yard again, including another identical finial block for the same buttress finial of St. John's Cathedral. The first block I carved in its entirety myself, including the stonemasonry parts. The second block was pre-processed by …Read the whole article…

Thomas Aquinas (sandstone) for St. John's Cathedral

The statue of Thomas Aquinas

Thomas Aquinas: Here the statue is still in its niche of St John's Cathedral

St. John's cathedral

The major overhaul of St. John's Cathedral is steadily continuing. Each year or maybe every two years, I'm not quite sure, one bay of the church is restored: 1 buttress and 1 window facade. This year I already did some work on two finial bases, a …Read the whole article…

Stonemasonry work and ornaments for St. John's Cathedral

 

sandstone base block for finialJust like a few years ago, I'm working on some parts for St John's Cathedral in Den Bosch. At the time I carved, among other pieces, a canopy in my shop this year. This time I made a base block for a finial in the beginning. This is the lower part of …Read the whole article…

House Sign Blue Tram Street Haarlem finished!

to the first post about this House Sign↑

Gevelsteen Blue Tramstraat polychromedRómulo Döderlein Win painting the gable stone of the Blue Tram street

The House Sign in Udelfanger sandstone for the Blue Tram Street about which I reported on last time is finished. A little summary: the picture was designed and drawn by cartoonist Toon van Driel, after an initiative by the Foundation for House Signs Association Haerlem. It is one of a series of ten different House Signs by ten artists and ten sculptors. …Read the whole article…

An interesting gable stone

A plaque in the making for the Blue Tram street in Haarlem

Last week I started on a very interesting challenge: the carving of a new gable stone relief. The project deserves some explanation, because it includes a lot more than just this one relief. …Read the whole article…