• Ornaments for Utrecht's Domkerk and St John's Cathedral 2

    Finial

    As you may perhaps remember: I last year I carved ornaments a few times and even made some stonemasonry work for St. John's Cathedral in 's-Hertogenbosch. The blog posts can be found under the following headings: Stonemasonry work and ornaments for St. John's Cathedral, Finally another update! and Ornamental work for the Utrecht Dom Church and St. John's.

    I recently got a new batch of ornamental work in the yard again, including another identical finial block for the same buttress finial of St. John's Cathedral. The first block I carved in its entirety myself, including the stonemasonry parts.

    pallet with ornamental work in the yard of the sculptor's workshop

    The second block was precarved by stonemason Mike Slotboom from Slotboom Steenhouwers in Winterswijk and the ornamental work was done by my colleague Serge. The third block was carved by three young stonemasons from Slotboom Stonemasons, who have all done their terrific best, and I carved the ornaments again: the crockets.

    Together with my colleagues

    sculotor's workshop with many projects

    For larger projects, I work with my colleagues Stide Vos and Serge van Druten. We were all trained as restoration sculptors at our former employer's Beeldhouwerij Mooy in Amersfoort. There, we worked together for about 15 years, so we know each other really well and get along famously.

    Self-employed in the sculptor's workshop

    We've continued all three as independent restoration sculptors, but keep in contact regularly, because it is such an incredibly small world. For this branch, the carving of ornaments and statues in new stone for mainly churches and castles, there are now still three restoration sculptors working fulltime. To my knowledge. It has always been a small group and that's never been a lot larger; there are times when all the work seems to come all at once and times when we really do not have enough work to keep all of us going. That's why we do other work as well, such as autonomous sculptures, reliefs, bronze statues, house signs, repairs, burial monuments, work for other sculptors and much more.

    Recently, Jelle Steendam has come to work in the beeldhouwerij to help alleviate the pressure and increase his knowledge at the same time. So that makes four in the Netherlands. There are of course many other sculptors in stone and I also know a few other restoration sculptors, but I rarely encounter these within my own genre

    Dom Cathedral

    overview West Facade of South Chapel of Dom church Utrecht
    Wherever the numbers are the side crockets are to be replaced

    At this time we're mainly working together on sculptural- and ornamental work for the Utrecht Cathedral and the Eusebius Church in Arnhem. Serge and Stide in particular have made many tuffstone side crockets for the Dom cathedral already, but in between all of the other work I also managed to carve a few flowers in tuff myself. On the right is a picture of the three Gothic pointed arch facades, with a triangular frame above it. Along that frame, 12 crocket flowers are mounted, and with two and a half façade that makes 30 crocket flowers in all. One doesn't count, so we'll need to make 29. This is just a fraction of what you can find on this beautiful church.

    Gallery

    Snow

    It was cold in the sculptor's workshop, but it's beautiful, and we can dress to the occasion. As long as we can warm up again during breaks we'll be fine.

  • Drilling holes

    When carving reliefs I like to start with ‘jig sawing‘: carving the contours pretty tight and perpendicular, right up to the background material of the relief. The diamond drill is a handy tool for that. I usually drill lots of holes to the correct depth, so I don't need to measure how deep the relief is and where all the parts have to go. So that is what I did today.

    It was hot today, and the corn simply races out of the soil. And the flowers; in the context of subsidised 'natural field boundaries’ the farmer has sown a floral mixture and I see buckwheat, bluebottle, vetches and I don't know what more start growing near my shop. A beautiful work place. Finally, I started a little bit with shaping the deepest parts of the relief. I prefer to work from deeper to higher parts, and when finishing high to low. That's for a reason, but you will notice only when you try it yourself.

    Nasty the first message about this project.
    Nasty the next post about this project.

No more messages to show.

No more messages to show.