• Finials. Upside down.

    very simple finial in Savonnières limestone

    In between, I still sometimes get a little job that has to be finished quickly. Last week that was a set of finials with very simple crockets. At first, I kept getting the feeling that this design was upside down, judging from my experience with Gothic crockets. But perhaps this simple crocket will fit in well with the neo-church where they will end up on, it becomes a little French lily-ish that way.

    I would have liked to make a complete design for a new crocket and execute that, but time and budget unfortunately didn't allow for that. But the simplicity works in this French limestone (Savonnières) actually fine this time.

    To the left is another example of a crocket (called a side crocket) which I carved at the time for the St. John's Cathedral in Den Bosch, in Weidenhahn trachite. This has been carved slightly more elaborate, and finally, a so-called 'trouser piece’ with two large open crocket flowers of St. John's Cathedral, and a finial in portland stone, also of St. John's. The latter I carved among (much) more when I worked on the last restoration.

  • Flora in her habitat

    Garden statue Flora after recovery
    Garden statue Flora after recovery

    Yesterday I The garden image of Flora from Lead Antimoon put back into the wild. At this site it comes into its own, a very classic and graceful garden statue of the goddess of spring and flowers.

    I made a base for her out of blocks of gray stone and a thick stone tile, to which she's anchored with three thick stainless steel threaded bars of 14 mm. This way it all has become one quiet gray coloured whole, so the base draws no more attention than the sculpture itself.

    A picture from the 20th century shows that Flora used to have flowers in her left hand and in the vase. From the strange position of the fingers, I think I can deduce that the statue already had been restored at the time.

    The statue is now restored with restoration mortar. I made the mortar in the same grayish colour as the lead alloy; the greenish colour comes from some chlorophyll that I rubbed in. Should the owner in the future choose to remove the algae, the repair will have the same colour as the original, and not a misplaced greenish tint. With the chlorophyll the repair now also resembles the rest, which already had a slight layer of algae .

    The repairs will be getting their real patina after a time in all weathers, so the difference will soon no longer be visible.

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