• Tim repairs a Bulldog and carves a Rooster

    For the new main building of energy network operator Alliander we recently repaired a statue and added its counterpart.

    Koen van Velzen and Tim Kaarsemaker installing a sandstone rooster in the entrance of the new Alliander building

    I say 'We', because I was in charge of this project, but the execution is largely Tim's own. Tim is my nephew Tim Kaarsemaker, who ended up in my workshop after studying at the Royal Academy of Fine Arts in Ghent.

    A ceramic Bulldog…

    I was approached if I could repair a broken ceramic work by Willem Coenraad Brouwer , a well known ceramicist from the 1920s. It came from the former power station in Velsen, and had once had a counterpart in the form of a Rooster. At the time they were facade ornaments and the holes for the drain pipe were still clearly visible. I thought it could be a nice learning project for Tim and took on the job.

    We started by gluing together the many pieces and removing the old layers of mortar (it looked as if this Dog had been dismantled with an excavator!), after which Tim managed to conceal all the cracks invisibly using various means. We closed the downspout holes, so that people don't throw coffee cups in it. However, we did it in such a way that it is still clearly visible where they were located. I then welded a stainless steel suspension system with which it could hang from the columns of the reception hall.

    …and a sandstone Rooster

    Tim then sculpted a mirrored Rooster in clay and carved it into a new block of sandstone, and managed to get it in the same color scheme as the Dog with patinas. We hollowed out the back and made a stainless steel suspension system for it again.

    Finally, we installed the Dog and the Rooster (symbol for Power and Light) in the reception area of ​​the new main building, next to the grand staircase. With a smart lifting solution, it all fit perfectly in the end.

    Photo report: repair, modelling, into new limestone, installing

  • A large gargoyle for the Dom Tower

    Three Gargoyles in Portlandstone

    large crocket for the Dom Tower of Utrecht in new Portland stone

    We have now been carving a lot of large finials, crockets and ornaments for the Utrecht Dom Tower. At the top of the tower, at about a hundred meters height, a ring of gargoyles are installed to spit out the rainwater that falls on the roof and the balustrade. At the end of last year we received three of these old limestone gargoyles: an eagle, a stone-cutting devil and a monster that sits on another devil's shoulders. We divided these three gargoyles among the three of us: colleague Serge got the eagle, Jelle got the stonemason and I would make the last one, all three from new blocks of Portlandstone. We just had to wait a little longer for the third gargoyle, because it hadn't arrived yet. If only I'd known what I'd gotten myself into!

    ornaments for the Dom Tower in Utrecht

    It doesn't fit!

    Waterpuwer 'Stone -houwende Devil' is sawn from a block of new stone
    Jelle's stone-cutting devil on the contour saw

    Serge immediately started cutting out the eagle on the contour saw, then Jelle got to work. But when "my own"’ gargoyle arrived, it turned out that this one was 2 metres 60 tall, and I can only handle 195 cm on my contour sawing machine. So it became clear that I had to measure and copy this gargoyle by hand from the block of stone. The other two were just long enough to fit into the machine.

    Copying technique

    Koen van Velzen copies gargoyle for the Dom Tower in new stone

    If it all doesn't fit in the machine, it has to be done by hand. In this case I put the two pieces on top of each other, to simplify all measuring work. You can then very quickly see whether the shapes match, because they are put so close to each other. With compasses and contour templates it's easy to find the main shapes.

    copying the gargoyle 2,6 m in steen

    Once the three most important sides were defined, including the stonemasonry parts of the gutter on top of the gargoyle and the hole through the monster's mouth, I put the two blocks upright. And then it turned out that there was also another demon hiding at the bottom. But with each block on its own turntable I could easily compare and copy again, so that in the end a faithful copy emerged.

    Video: inspection at the sculptor's studio

    In November 2020 local broadcaster RTV Utrecht visited us for a video report of our work on the ornaments. The restoration committee came to judge our first results.

    There is an article on the RTV-Utrecht website with a short report (see here the link↑), but if you wait until everything is loaded, the video will also appear, on which we can bee seen from minute 4:50 in the studio. Because I took this job together with my colleagues Serge van Druten and Jelle Steendam, can they also be seen in this video. By the way, the whole video is worth watching.

    Video: Jelle is working on a gargoyle

    In the meantime, Jelle was working on his own gargoyle, a stone-cutting demon. I made a short video of it.

     

    Gallery: work progress on the two gargoyles

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