Sculpture 'The Night’ for St. Eusebius Church Tower


Last phase of the tower

Work on the tower of St. Eusebius's Church is nearing completion. Actually, the sculptres of The Day and The Night are the last two pieces that the builders are urgently waiting for. So I think a deep sigh of relief must have come from the scaffolds of the church when I completed The Night this week. For the tower, and part of the church, need to be free of scaffolding when a commemoration of the Battle of Arnhem is held this autumn, looking back to, 75 years ago. But this sculpture was not the only thing that still needed to be done. I've been carving away for St. John's Cathedral in Den Bosch, for the the Utrecht cathedral, again for Saint John's Cathedral, and the flying buttress figurines for St. Eusebius' Church itself should be ready in time as well.

Day and Night

This corner sculpture is located at about 15 meters up and was originally carved in tuff by Eduard van Kuilenburg. She's part of a pair: there is a guy with a rooster, breaking his shackles and brandishing a mop (or should it represent a flaming torch?), and yes, this woman with a nest of owls too. The Day and The Night. This lascivious young lady is sitting with the left hand in her hair, on one knee, with a stick in her right hand. The purpose of the stick is not clear to me, or perhaps it should represent an extinguished candle. The owls represent nightlife, the rooster and the broken shackles stand for dawn. I suppose he's about to extinguish the torch and is not going to mop the floor, because he 's not carrying a bucket.

Presawing

This relief is the biggest block from this church we received in the yard in recent years: almost 1 cubic metre. Due to time constraints we decided to use the copying saw again, but the block was so large that it couldn't even turn around on the turntable of the machine. I had to literally cut a number of corners to make it fit. These were however just those corners that ultimately will be embedded inside the masonry, so you won't see anything of it later on. This presawing is saving me days of measuring work, by enabling me to start carving by eye from quite early on. Plus it saves me a lot of rough carving and sawing with an angle grinder, freeing me from a lot of the hard work. I glued two stainless steel threaded rods M16 into the top of the new block, onto which I can screw a eye bolt for lifting, making the block easy to move. It may come in handy on the scaffolds later on as well for the restoration masons.

Little feet

The block of new Muschelkalk limestone of over 1800 kilos was provided by the Stonemasonry Firm, who also carved the profiles on it. Unfortunately, the stonemason in question was somewhat preactieve, which caused that I was short on material for the lady's toes. Added to that was that the original sculpture was a lady with a unique anatomy. Her knee was pointing straight forward, but her left foot was targeted towards the viewers at home. So I made a virtue of necessity and right away took the opportunity to give her left foot a somewhat more logical position. The right foot also missed a lot of stone, but I was still able to carve it nicely by putting it more back and in a bit flatter position. If you don't place the original right next to it, it will not stand out at all. It was an interesting challenge and I'm really pleased with how it turned out (See the slideshow below for pictures).

Nest of owls, finish

Near her right shoulder is an owl mother with her nest with two young. The chicks look endearing, with their surprised look.

I finished the entire sculpture with a wide tooth chisel, and then smoothened the body of the young lady with a coarse grater, leaving the chisel marks still barely visible, for a lively effect. Her hair and the owl's feathers I accented with the tooth chisel.

Sculpture The Night by Eduard Kuilsburg- new copy in Muschelkalk limestoneSculpture The Night by Eduard Kuilsburg- new copy in Muschelkalk limestone

Headless chicken

The sculpture of The Day was in a lot worse condition than The Night. The rooster and the man were both missing their heads , and the hand with the torch had disappeared as well. So I first needed to reconstruct those parts before I could start presawing. I modeled the neck and head of the rooster with plasticine and the hand was remade pretty quickly too. The tricky part was the position of the original hand, because in the only picture I had, the fingers were in an almost impossible position. But the head was more of a challenge. because this young man had quite a big head. I had glued a piece of hard PIR-foam onto his shoulders and from there I started looking for the right size, position and shape of the head.
I tried to see my progress by comparing my pictures with the original image. In the end Stide decided he would carve this one, so he has has been the one to make the finishing touches to the remodelling. See the gallery below for an impression.

Gallery -click on a thumbnail for the entire picture-

Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

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Year review of 2018

Year review of 2018

It seemed nice to sum up this year of sculpting in some words and pictures. Not in chronological order, because my work sometimes jumps from one thing to another, for often suddenly urgent commissions come in between. I like it that way too, I love things being a bit unpredictable! But only when there's not too much pressure on things.

Finishing flying buttresses 4, 5, 6 and 7

Gallery -click on a photo to see it larger-

Last year I spent a long time making flying buttress figurines for the north side of St. Eusebius's Church in Arnhem. Early January that job was nearly done; I only had to make a Monk, a Bear, a man calling Noah, a Monkey and a Ark with animals to round it off. It was the last series of the four flying buttresses themed around Noah's Ark.

Calamities and Repairs

Amid heavy snowfall and storms, work went on as usual. I accounted for a severe frost period and just continued sawing. A part of the barn didn't feel the same way about it, and collapsed under the weight of a thick layer of wet snow. A few weeks later I narrowly escaped from a disaster, when in a torrential storm a sheet of asbestos was blown from the roof and landed right next to my finished flying buttress sculptures.

Part of my repair work consists of patching up damaged statues. For instance I had to repair a Faun with a Pan Flute and a statue of Thomas Aquinas in my shop this year.

Injury and recovery

Something I've not reported on this blog is that I've been incapacitated for quite some time by injuries earlier this year. I hear you think it would surely have come about because of my job. I do have quite the productivity and it is rather physical work. And at times there can be some pressure to finish it all in time. But it wasn't anything like that. First it was an accident when I cut open my thumb deep on a party tent that threatened to blow away. Just three stitches and two weeks later I was back at work again.

But it was not long before I was back home for some weeks. This time I had overstrained both my arms during removals (at temperatures around minus eight degrees Celsius). At least I now know how to recover from two tennis elbow quickly: not with all kinds of therapies, but by massaging the muscles in your forearm deeply for several times a day. This way, you'll relieve the tension from of the muscle and it will no longer pull so hard on your funny bone, let's put it this way. Learned on YouTube and experimentally tested myself.

My own work: Pan in porphyry

block of porphyry for plaster image of Pan

plaster sculpture of Pan with block of porphyry

After all these flying buttress figurines, I started enthusiastically on my own project: a Pan in porphyry. I had presawn it on my machine and had just begun carving it, but in spite of all the good intentions, I had to put it aside because of other urent projects.

Ornamental works: Aachen, Utrecht, Den Bosch

For all kinds of ornaments had arrived in the yard, which were to be made first. So this year I made finials and crockets for Aachen Cathedral, for the Cathedral of Utrecht, again for the Utrecht Dom, and for St John's Cathedral in Den Bosch. Some of them in collaboration with my colleagues. There was stonemasonry work to do. Even a newspaper article was written about it and a video was made.

Family Crests and griffins

Then there were two sandstone family crests which I made in between other stuff, one with an edge and one without edge, and I have been modelling away on a set of mirrored griffins. I hope to finish them next year.

Jelle, Jeffrey and Roel

Annual Review 2018

Wise Virgin with a Dove, copied by Jelle

With so much work it was not surprising that I could not keep up with it all by myself. Hence my collaboration with my colleagues and Serge and Stide. Even then, we were not able to finish it all in time. Also, I had long thought about someone to pass the craft on to, someone who wanted to become a restoration sculptor. But how do you get someone who fits the bill? Fortunately Jelle came to visit. Exactly at the right time. He has now been working with me for more than six months, to the satisfaction of both of us and doing excellent work!

Annual Review 2018

Jeffrey helps presawing

Then this summer I've had help from Jeffrey a few times, who came to help out with presawing on the machine, while at the same time my nephew Roel came by to begin to learn carving letters in stone.

Annual Review 2018

Roel learning to carve letters

 

More flying buttress figurines

After the first set of 26 flying buttress figurines from the north side of the Eusebius Church, we now had to make the 27 from the Southside. But fortunately from flying buttress no. 32 I had already made seven angels put together, plus a girl from buttress no. 36, and Stide had done one as well. Still we've been quite busy with the other 18, and we've not yet finished. Fortunately Jelle has now made a number of them as well. Anyway, on this blog you can read about Blind Man, Woman with Clubfoot, Wise Maiden with Cross, Foolish Maiden with Oil Can and the Supreme Commander In Chief.

Corbels for the Tower

Since in March 2019 the Eusebius Church tower is scheduled to be completed, those sculptures had absolute priority. I've presawn some of the corbels and carved a set of them for the North- and south side of the tower, such as a Woman with Tulips, a Man with Bird, a Man with Ears of Corn, a Woman with two Doves, a Cat with Wings and a Bird beast. Sawing work was mostly done on the corbels from the west side of the tower (12 heads and 5 large corbels), but those were all carved by Stide. Time to once again visit to the scaffolds of the church…

Beeldhouwerijblog.nl is the blog of Koen van Velzen, sculptor in stone and bronze. Look up my website as well: beeldhouwerijvanvelzen.nl

follow me on Instagram
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and on YouTube

Corbel for the Eusebius Tower: a bird-like beast?

Bird beast: a copy of a tufa stone corbel by John Grosman in new Muschelkalk limestone for the Eusebius Tower in Arnhem
One of the last of the 10 corbels for the South- and North side of the tower of the Eusebius Church at 23 meters high was this winged bird-like beast. It sits somewhat cramped in its corner and there spreads its claws and wings. This piece was originally …Read the whole article…

Corbel: a cat with wings

copy of Corbel for Eusebius Tower: cat with wings after a tufa original, new in muschelkalk limestone
copy of Corbel for Eusebius Tower: cat with wings after a tufa original, new in muschelkalk limestoneThis next corbel for the Eusebius Tower is destined for the north side at 22 meters height, and is part of a group chimeras or a kind of winged cats.
The cat with wings on the corbel holding …Read the whole article…

Corbel: 1 lady with two doves

Copy of Corbel in new Muschelkalksteen of 1 lady with two doves

Lady with two doves

As you can read in the most recent posts on this blog, these past few weeks I've been busy carving corbels for the Eusebius Tower. This tower of the Eusebius Church in Arnhem has been covered in scaffolds for several years already, to …Read the whole article…

Corbel: Fat man with ears of corn

Corbel Eusebius Tower: man with ears of corn, copy in muschelkalk limestone

Corbel Eusebius Tower: man with ears of corn, copy in muschelkalk limestoneThe next corbel for the Eusebius Tower the head of a man holding ears of corn. The tuffstone original was a bit damaged and missed part of his nose. Before I started to cut him after …Read the whole article…

Corbel: A man with bird

corbel Eusebius Man with bird1 The second corbel I carved for scaffolding layer no. 10 of the Eusebius Tower was a man with a bird. Like the original, this copy in Muschelkalk limestone is carved pretty rough, with the tooth chisel marks still clearly visible. This gives the surface of the stone a lively effect; chisel traces strengthen …Read the whole article…

Corbel for the Eusebius Tower: woman with tulips

Corbel of a Woman with tulips for the Eusebius Tower at 22 meters heightIt's a nice and busy time at the moment. We were not yet finished with a series of ornaments for the Utrecht Cathedral or a truckload of stone 18 limestone blocks for new flying buttress figurines and 10 large blocks for corbels. The flying buttress figurines are for the Eusebius Church in Arnhem, and the corbels will be placed at a height of 22 meters in the tower …Read the whole article…

A visit to the scaffolding of St. Eusebius's Church: Corbels and 14 flying buttress figurines.

A visit to the scaffolding of St. Eusebius's Church

scaffolding visit Eusebius Church with flying buttress figurines

flying buttress no. 6

Last Thursday I visited the Eusebius Church in Arnhem. I had heard that two of the four flying buttresses were installed. For this church I had carved into new limestone 31 copies of the old flying buttress figurines and my colleague Stide also four. Stide has also replaced many larger and smaller corbels and is currently mainly engaged in carving stone masks. …Read the whole article…

The corbels have been installed

Corbel of Matthew in Muschelkalksteen, installed in the tufa tower of the Eusebius Church in Arnhem

credit photo: Rothuizen Architects

← to the first post on this restoration project

The last corbel I carved for St. Eusebius' church was a representation of the evangelist Matthew: a winged man/angel. Meanwhile, the corbel stones are installed in the façade of the tower. You can see how the whitish gray Muschel limestone contrasts with the more yellowish surrounding tuff …Read the whole article…