• Corbels for St Stephen's Church

    old weathered consoles and crockets
    the wires are against the pigeons

    After another period filled with carving all kinds of sculpture for third parties, my colleague Stide Vos and I got to carve a whole batch of sculpted ornaments for St. Stephen's Church in Nijmegen in Nijmegen. I took up the corbels.

    console with two dogs in sandstone

    You often find these corbels in the facades of Gothic churches; they are the pedestals on which the statues of Saints were usually placed.  In this case it is from the southern portal, an entrance way. These were traditionally the most richly carved portions of the church, full of ornaments and statues.

    newlyweds with jug, corbel  in portlandstone
    two consoles for St. John's Cathedral, 's-Hertogenbosch

    Consoles or corbels are really just protruding blocks on which a statue can be placed. In the typical Gothic style, of course, such a block would extensively be carved with leaf motifs, and here is no different. I have carved some of these before with animal figures, prophets, angels, or with professions such as stone mason, building master and so on.

    But in this case, there were never put any statues on the corbels, and they remained bare . This façade was rebuilt in the 1950s in Ettringer Tuff, and as I so often have seen before Ettringer tuff is just not suitable for fine sculpture . Apparently this church too had been significantly damaged in the war and the choice for this tuff was just one of necessity: in Germany as well, there was great demand for good tuff and the quarries could simply not keep up. Only the lesser tuff was affordable or available for the Netherlands .

    So we found a highly weathered facade when we came to inspect. All lying crockets were changed into dripping candles, of the trefoils that hung on the inside of the pointed arch all the protruding parts were already cut off as a precaution, and a number of capitals had begun to deteriorate as well.

    precarving the leaves on a corbel in tuff
    precarving the leaves on a corbel in tuff

    Stide is now working on new crockets and I took on the corbels. First I carved the profiled parts, the stone masonry bits, so it's now for the ornamental parts. They prove quite nice to carve, because the leaf shapes have a nice line of tension. The new sculpture will also be tuff, but it is Weiberner tuff this time. That is a bit finer and should last longer. But as a precaution the portal will get a roof, in order to slow down the weathering strongly that way.

    corbel in tufa, with hailstones
    it's hailing, it's hailing…

     In the meantime it's still winter, and hail, snow- and rain showers come along. But as long as it is not too windy it is doable. The first three weeks of the winter I always feel a little cold, then the inner heater comes on and it doesn't matter anymore. Only when carving fine details at -10 doesn't work, that really needs be done inside. Anyway, then the air equipment freezes as well and everything becomes harder, smoething you shouldn't really want. Still, this is a beautiful time of year, and I'll take the cold because I love to work outside in the fresh air!

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  • An eagle with a goblet of poison?

    tufa corbel from the Eusebius Tower in Arnhem, with the Evangelist John as an Eagle. Circa 1953
    the old corbel in tuff stone: its beak and the viper's head have broken off

    Of the four corbels I'm carving for the tower of the St. Eusebius's Church in Arnhem (the Netherlands) and copying in new stone, I got to carve the eagle last week. As I already explained in explained earlier the Eagle symbolizes St. John the evangelist.

    To the right the scroll can be found again, as a symbol of the Gospel that John wrote, and to the left of the picture you see a goblet with a snake crawling out (though its head has disappeared). I had seen depictions of the evangelists before, but haven't seen the poisoned cup before.

    I didn't understand it at first, because as far as I knew John was the only disciple of Jesus who had died a natural death. But luckily you can gather quite a lot of information from the Internet and so I found an article (in Dutch) that mentions two legends: one about a penalty with boiling oil and one about a poisoned cup. John survived both of them. And so I've just learned something new again.!

    the copy of a Muschelkalk cobel with the eagle of the evangelist John.

    Also in this case the original is in Ettringer tuff stone from Germany and the copy is in Muschelkalk, a coarse German limestone which fits well with the new Weiberner tufa around it, and with the design of the reliefs.

    I gave the eagle a somewhat fiercer look, and brought some life into the feathers with the tooth chisel. In the copy I kept the simple and rather coarse character of the original.

    Nasty the first message about this restoration project.

    John's eagle 3

    Nasty the first flying buttress statue→
    Nasty the next corbel→

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