The next flying buttress figurine from arc 24 of St. Eusebius's Church in Arnhem wasn't entirely clear to me. We've seen all seven sins pass by, except Sloth, sometimes called idleness, laziness or inertia, so this one had to be it.
I just don't know how the sculptor had originally intended this. I also thought at first that this one was Pride, or Hubris, a lady with voluptuous bosom that sits high on horseback. Or maybe it should depict a donkey?
Dolce Far Niente
Maybe this lady portrays the lack of direction of a bored rich lady, spending her days with useless things and letting the workhorses do the work? "Idleness is the devil's earcushion,’ as an old saying goes, though I always thought they meant you really had to be flexible if you wanted to give the devil a kiss on his ear. This lady is in any case sufficiently limber!
However it may be, I just copied the sculpture as it was. While working I noticed that not only the breasts threatened to fall overboardfrom her gown, but even the nipples are in focus. "It's must be feeding time again', commented my mate Stide. 'How so??’ I asked.
‘Well,’ he said, 'The piglets are already looking over the trough!’
The old sculpture had a heavily weathered surface, but I noticed something that hinted the sculptor had carved something of a structure and had made the suggestion of a thick woolen dress. I tried to imitate that by first bush hammering, horse and dress and carving short, shallow lines into the dress with a pointed chisel, resulting in a lively surface.
In a previous post on this flying buttressI told you about the theme that these sculptures convey: the seven deadly sins. Each figurine we have carved so far (and Jelle has made three out of these seven) has been given a Latin name in the profile on the side: Superbia for Vanity, Gula for Gluttony, Ira for Rage, Avaritia for Greed, This Laziness or Idleness is called Acedia, and then later Stide will be adding Luxuria for Lust and Invidia for Envy. Which are both on their way as well.
A mysogynous sculptor?
Some ladies noted that women come down quite badly in this series, because actually only the Fury is a male. This went against their sense of justice and some of them therefore ascribed a very negative view of women to the original sculptor.
But even in the next series, which should represent the seven Virtues, the majority is shown as female as well. The conclusion is clear: Eduard van Kuilenburg,, who carved almost all of the flying buttress figurines in the 1950s , had no trouble with women. On the contrary: he would rather carve images of women than men. That would explain why there are so many women among these sculptures.
Because with the previous flying buttresses often the topmost sculpture didn't fit quite right inside the surrounding wall surface, I especially went to St. Eusebius's church along with Remon Theissen from Slotboom Stonemasons to measure how the arc is positioned relative to the church. A visit to the church is always a wonderful opportunity to see how our work from the last months looks in its rightful place. And again it was clear to me how much skill is invested in this restoration. The finished part looks awesome, and our previous flying buttress figurines with the trumpet angels, wise maidens, foolish maidens and crippleds from the Beatitudes fit right in.