• Placing the side crockets

    The new lace flowers are very dense the new consoles, but that was just the same in the old situation. Far left you can see a small piece of new trefoils

    new crockets placed on south portal Stevens church in Nijmegen

    To the first post about this project

    The 100th post on this blog has been reached, and today we had (my colleague Stide and I) had another milestone as well: the mounting work on St. Stephen's Church in Nijmegen is nearly done. Today the mounting of the side crockets got almost finished.

    I was very pleased that after all our work of measuring, drawing templates, cutting out the old pieces and carving the new blocks everything fits just fine.

    new kanthogels hang on the outside of the nose cone. South Portal,  St. Stephen's Church in Nijmegen

    We have first cut the (wettened) blocks all exactly to size and then started mounting them from top to bottom. That way the underlying work stays clean and the new joints will not wash out when we use water. The side crockets are suspended on two glued pieces of wire end in each block, and of course on the grout. Soon, of course, the whole arch will be filled in. The string is to be able to draw out the wire end, should something untoward happen.

    The curve of the pointed arch runs beautifully all the way through. If we wouldn't have found the right center of the pointed arch (the ‘porring point’) then would either have ended up as a series of flat surfaces or a set of waves, rather a beautiful tight curve.

    pointed arch with three new fit, consoles kantbloemen

    Stide carved these side crockets in tuff stone, to a reconstruction that I made based on the remnants of the old side crockets. Side crockets are crockets on its side, so reclining crockets, and crockets are the well-known flower motifs from the Gothic, especially found on pinnacles for decoration. Four crockets forming a cross-shape make a finial.

    The dark line is formed by the inside of the (wettened) blocks with side crockets. The arch's curve runs just right. If everything is dried up and pointed, you'll no longer notice that new pieces have been inserted.

    The old situation illustrates well how the weathered tuff lace flowers were for dismantling.
    The before situation shows well how weathered the Tuff side crockets were before disassembly.

    Tomorrow morning we will place the last two blocks and then we'll fill in, that is to say, we'll fill up the open joints all the way until they're full, and then according. That is further explained in message 101!

    Read more…

  • Patching up and replacing new blocks

    Stevenskerk jointing 2
    On a scaffolding often means working in quite tight corners

    'Patching up’ was originally a fishing term for repairing fishing nets, from a time when these still had to be painfully repaired by manual labour with a spool of wire. Nowadays the term is used in all sorts of professions as designation for the re-filling of holes in work previously done.

    I encountered the term before when I worked in parks maintenance, during the filling in of holes in hedges and other plantings, and this time around in the world of stonemasonry.

    To the first post about this project.

    In this case, we are 'patching up' parts of stone sculpture’ in the South Portal of St. Stephen's Church in Nijmegen. We're putting in new pieces of stone in the existing facade, to replace weathered pieces. There is not that much to tell about; it is simply a matter of filling in the holes that we made previously (because we have removed the old blocks there) with new stone again.

    Stide is doing a capital I have hewn to fill around with leveling mortar. After this is the filling in with cast mortar, so the hell block around all stuck
    Stide is busy filling the joints of a capital that I'd previously carved with set mortar all around. After this is the filling in with cast mortar, ensuring that the whole block is tightly joined to the surrounding masonry

    But of course it is no ordinary piece of stone, these are as I said before 20 trefoils (crets, my colleagues say, after the French word crête), 20 crockets (a form of reclining crockets), 7 consoles, two 'caps’ or upper parts of consoles and three capitals.

    It is actually quite a tricky job. If we have made the drawings just right, then the pieces will fit into the holes and then we can add the mortar around the joints. But usually such a block has to come out once again for knocking off a piece of old grout somewhere, and when in very bad luck, a couple of times more, until it fits. Once the block is placed right and the grout has hardened, then through a hole at the top the liquid mortar can be poured behind the block , to fill the area below, next to it, behind it and above it.

    from the outside to the inside: hangen er al drie peaks (trefoils), you see a console, and a crude tire which will soon come lace flowers
    From the outside in: to the far right there are already three crêtes (trefoils), you can see a new console at the top , and from the upper left to the lower-middle a rough band which is where the side crockets will come

    But those are the easy blocks: the capitals and the consoles. The hardest bits are the trefoils. These are very open pieces that will hang from the inside of the pointed arch, from a small contact area. For each trefoil there will be two anchors of stainless steel, which should provide for extra security.

    Finally on the inner one of the pointed arches a whole range of side crockets will be placed. Side crockets are crockets on its side. There are ordinary crockets, water leaf crockets, finials, crockets, suspended flowers, and a few more types of flowers in the Gothic ornamentation, but these are all variations on a theme.

    Next week we'll continue mounting the crêtes (trefoils), and when everything is done, we will accord. A new term to look forward to, but in any case it has nothing to do with accordion music.

    Update 22 april 2015:

    It's coming along nicely with the mounting of the blocks. Today we have suspended the last trefoils inside the arch. These 'crêtes’ have been carved by my colleague Jan Tolboom, so this is a three man's project: We divided the carving work into three parts , Stide and I take care of dismantling and placement and Jan supports us with his advice and insights. A good team, with a hundred years of experience put together.

    The narrow pieces are hung on the inside of the arch with anchors. During curing, we can secure it with glue clamps
    The narrow pieces are hung on the inside of the arch with anchors. During curing, we can secure it with glue clamps
    All trefoils are suspended now, here still supported with glue clamps, until the glue and the mortar has set.
    All trefoils are suspended now, here still supported with glue clamps, until the glue and the mortar has set.

    Read more…

No more messages to show.

No more messages to show.